Products

 

British Style

18 Watt

18W TMB

18W TMB EF86

20W Lead & Bass

36 Watt

36 Watt EF86

JTM45

JTM45/100 "Experienced"

JTM45 BluesBreaker

JTM50

JCM 800 2204  HW

JCM 800 2203 HW

Plexi50 1987 Lead

Plexi50 1986 Bass

Plexi100 Super Lead

Plexi 100 Super Bass

2550 

2555

American Classics

5E3 Tweed Deluxe

5X3 Big Deluxe

5E5-A Pro

5F6-A Bassman

5F4 Super Amp

5E7 BandMaster

Champ Ultra

5E8A Tweed Twin

PrinzeTone

Muchle$$

Spitfire

Lightning

Dizzy 30

Stray Cat 30

TW Clones

Expression

LiverPull

Rock It!

CeriaTone

Overtone Special Series

Overtone HRM Series 

SSS

Klein-ulator

C-lator

Hey What?! 504

Hey What?! 504 OL

Hey What?! 103

Creme Brulee

Overtone Lunchbox

Hot Rodded Plexi Series

Chupacabra 50

Chupacabra 100

Yeti 50

Yeti 100

AFD 35 50 Watt

AFD 35 100 Watt

King Kong 50 Watt

King Kong 100 Watt

 

 

 

 

 

 

 

 

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Sound Clips

Here are some sound clips of our amps. These are made by our user/clients themselves, and posted on Youtube and personal clips. We hope these will give some ideas on the capabilities of our amps.

British Style

18 Watt

1) Clip A ( Posted By Jasonguitar73 on YouTube)

2) Clip B (Posted by thetoneking on YouTube)

3) Clip C (Posted by cabbage609 on YouTube)

 

18W TMB

1) Clip A (posted by call1800ksmyazz on YouTube)

2) Clip B (posted by call1800ksmyazz on YouTube)

3) Clip C (posted by JC Moretta on YouTube)

4) Clip D (posted by Filippo on YouTube)

5) Clip E (posted by Laurent Lapierre on YouTube)

6) Clip F (posted by Richard on YouTube)

7) Clip G Amp shootout  in Marshallforum (posted by John Viehweg)

8) Clip H (Key To The Highway posted by Paul Stuker - using two 18 Watt TMBs)

 

18W TMB EF86

1) Clip A  (posted by Art Faccio)

2) Clip B (posted by Ashley Young on YouTube) - with 2006 Gibson SG plugged direct to TMB channel, all tones midway and volume cranked

 

20W Lead & Bass\

1)Clip A (posted by Johan Strohmeier on YouTube)

2) Clip B (posted by Johan Strohmeier on YouTube)

 

36 Watt

1) Clip A ( posted by pel666 on YouTube) - Pel Custom Kramer with Nady-TD1 stompbox on Ceriatone 36 Watt

2) Clip B ( posted by pel666 on YouTube) - Custom LesPel with Nady-TD1 stompbox on Ceriatone 36 Watt

3) Clip C ( posted by pel666 on YouTube) - Custom LesPel with the 'Big Muff pi' on Ceriatone 36 Watt

4) Clip D ( posted by pel666 on YouTube) - more 36 watt clips

5) Clip E (posted by Shane)

 

36 Watt EF86

1) Clip A (posted by Michael Drobnik) - Customs Shop Strat in EF86 Channel, with some Cubase reverb added in

 

JTM45

1) Clip A (posted by ToneSnobs on YouTube)

2) Clip B (posted by  Jason Baker of ToneSnobs)

3) Clip C (posted by  ranaboogie on YouTube)

4) Clip D (posted by Alan Bridges - clean mastered)

5) Clip E (posted by Alan Bridges - heavy long demo mastered)

6) Clip F (posted by Alan Bridges - mid gain mastered)

7) Clip G (posted by Niels Vervloet on YouTube)

8) Clip H (posted by Alf Holme)

Settings: Guitar = Gibson SG Standard, Cab = Marshall 2061 x 2x12 with Celestion Speakers

9) Clip I  (posted by John Viehweg) - Recorded using HRM 50 and JTM 45 in stereo configuration, Brian Hammer on guitar.

10)  Clip J  (posted by John Viehweg) - Recorded using HRM 50 and JTM 45 in stereo configuration, Brian Hammer on guitar.

11) Clip K (posted by Gutarsgasdotcom on YouTube) 

12) Clip L (posted by Jeremy Young on YouTube)

 

JTM45/100 "Experienced"

1) Clip A (posted by Reginald Wade)

2) Clip B (posted by Reginald Wade)

 

JCM 800 2204 HW

1) Clip A (posted by Derek Brock on YouTube)

2) Clip B (posted by Derek Brock on YouTube)

3) Clip C (posted by Derek Brock on YouTube)

4) Clip D (posted by Mike Newman on YouTube)

5) Clip E (posted by John Viehweg) - Guitarist: Brian Hammer, 2008 Gibson Firebird, HRM50 left speaker and 2204 HW right speaker

6) Clip F (posted by John Viehweg)

7) Clip G (posted by Jon F) - this was a kit with sozo caps , a resonace mod and a classictone tranformer installed

8) Clip H (posted by Nathan Garland on YouTube)

 

JCM 800 2203 HW

1) Clip A (posted by telecaster84 on YouTube)

2) Clip B (posted by telecaster84 on YouTube)

 

Plexi50 1987 Lead

 1) Clip A (posted by Bobby Smith of Grosh Guitars on YouTube)

 2) Clip B (posted by Kent Masias @ TIMBERMIKO on YouTube)

3) Clip C (posted by DDGUITAR on YouTube)

4) Clip D (posted by DDGUITAR on YouTube)

5) Clip E (posted by Kent Masias on MySpace)

6) Clip F (posted by Kent Masias on YouTube)

7) Clip G (posted by Connor on YouTube)

8) Clip H (posted by Silviu Iliescu -with Vintage Lemon Drop Les Paul with SD APH-2 pick ups and a hofner fuzz for solos )

 

Plexi50 1986 Bass

1) Clip A (posted by leetamm on YouTube)

2) Clip B (posted by vadlasletta on YouTube)

3) Clip C (posted by leetamm on YouTube)

4) Clip D (posted by Guiseppe Raffa on YouTube)

5) Clip E (posted by Guiseppe Raffa on YouTube)

Settings: Presence : Cranked, Bass: 0, Middle: 3 o' clock, Treble: near cranked, Bright volume: Cranked Cusack Screamer settings: Level: cranked, Tone: 4 o' clock, Drive: 10 o'clock Guitar has a Seymour Dincan JB and I use it in the position splitted with the middle single coil, I discovered that I get a much better clearer chunky tone. The Ultimate attenuator is setted at 4 o' clock so near cranked. Delay is added by Cubase.

6) Clip F (posted by Joe DiFonzo)

7) Clip G (posted by Joe DiFonzo)

Settings for clip F&G: Presence-4, Bass-3, Mids-6, Treble-5, Vol 1 (high treble)-2, Master Volume-2. Recorded with Analogman KOT Overdrive. Speaker: Reinhardt R30h-lc, Mic: SM57

 

Plexi100 Superlead

1) Clip A (Posted by James Lugo on YouTube)

2) Clip B - 2010 LA Amp Fest by James Lugo

 

Plexi Brown 100

1) List of clips. Click here!

2) Clip A - with PPIMV

3) Clip B

4) Clip C

5) Clip D (posted by Luca Renoldi)

 

2550

1) Clip A (posted by Greg Berglund)

Settings:- Presence 5; Bass 7; Middle 3; Treble 4; Output master 2; Lead master 6; Input gain 6.

The rhythm guitar is recorded from the clean channel with no effects. The lead guitar is recorded from the lead channel with a little delay added. Both of these parts were recorded with a condenser mic in front of a Celestion greenback speaker.

2) Clip B (posted by Mike Newman on YouTube)

Settings: Presence 8; Bass 8; Mid 5; Treble 8; Master volume 4; Lead volume 7; Gain 11

Recorded mostly on lead channel through Marshall cab with Celestion G12H30 speakers.

3) Clip C (posted by Alex Bolte on YouTube)

4) Clip D (posted by Alex Bolte on YouTube)

5) Clip E (posted by Greg Berglund)

6) Clip F (posted by Alex Bolte on YouTube)

7) Clip G (posted by Satio Braskoro)

Settings: Recorded into Shure 57 dry. Half power is engaged. Light delay added after it was recorded. The guitar is LP with EMG81 and 85. No OD pedal is used before chorus. However, a SD-1 is used after chorus.

8) Clip H (posted by Satio Braskoro)

Settings: Recorded into shure 57 and used Marshall 1922 cab. Used a SD-1 in front of the amp. In the effect loop, I employed TC Electronic G-force for noise reduction and eq. I also employed a BBE sonic maximizer 362 in the effect loop after the G-force. The guitar is LP with EMG81 and 85. Recorded at bedroom levels.

2555

1) Clip A (posted by Rick McMahan on YouTube)

2) Clip B (posted by Stefan van Dijk on YouTube)

3) Clip C (posted by Stefan van Dijk on YouTube)

4) Clip D (posted by Stefan Hauk on YouTube)

5) Clip E (posted by Stefan Hauk on YouTube)

6) Clip F (posted by Stefan Hauk on YouTube)

7) Clip G (posted by Trent Joiner - used a Sennheiser md421II for the OTS and a Palmer pdi-03 speaker simulator for the 2555)



American Classics

5E3 Tweed Deluxe

1) Clip A (posted by palmiuga on YouTube)

2) Clip B (posted by palmiuga on YouTube)

3) Clip C (posted by Shaun Bayles)

4) Clip D (posted by GuitarGasDotCom on YouTube)

 

5X3 Big Deluxe

1) Clip A (posted by Mirc Cinku on Youtube)

2) Clip B (posted by Brian Thompson on YouTube)

3) Clip C (posted by Brian Thompson on YouTube)

 

BF Champ

1) Clip A (posted by Shaun Bayles)

 

BF Vibro Champ

1) Clip A (posted by Tim Dutton)

2) Clip B (posted by Tim Dutton)

 

5E8A Tweed Twin

1) Clip A (posted by Tristan Barr)

2) Clip B (posted by Tristan Barr)

Settings: Clip B Effect used: MXR Carbon Copy, MI Audio Tube Zone and home made reverb using Belton Medium Spring Digital Reverb Unit

3) Clip C (posted by Peter Marechal)

Settings: Used 2 mics; one a SM57 close and a ribbon set back about 3 feet with a baffle behind it. Both the amps were at 1/2 power the Tweed with the 1/2 power switch and the Plexi with a Weber Mass lll attenuator. The guitar (stratocaster) was going through 2 pedals a Keeley Java Boost and a Damage Control Liquid Blues tube preamp. My DAW is Logic with Izotope 4 and Alloy for mastering. The instruments have a little reverb on them and stereo spread but flat EQ and no other effects.

 

5F4 Super Amp

1) Clip A (posted by Paolo Paganelli)

2) Clip B (posted by Paolo Paganelli)

3) Clip C (posted by Paolo Paganelli)

4) Clip D (posted by Georg Figlhuber on YouTube)

 

Champ Ultra

1) Clip A (posted by Richard on Youtube)

2) Clip B (posted by Richard Bazzano on YouTube)

 

PrinzeTone

1) Clip A (posted by Paolo)

Settings: Used gretsch reverend horton heat model, tweed switch on for the rockabilly thing, with a touch of carbon copy delay. Everything is recorded with a shure sm 57 into a protools LE mbox mini, no plug ins or any other stuff. Just straight.

2) Clip B (Posted By Mirc Cinku on YouTube)

3) Clip C (posted by John Grover on YouTube)

 

Muchle$$

Lightning

1) Clip A (posted by Simon Mawer)

 

Dizzy 30

1) Clip A (posted by byusnowboarder on YouTube)

2) Clip B (posted by vadlasletta on YouTube)

3) Clip C (posted by byusnowboarder on YouTube)

4) Clip D (posted by byusnowboarder on YouTube)

5) Clip E (posted by Shaun Bayles - PRS Country  Lick)

6) Clip F (posted by Shaun Bayles - PRS Riff)

7) Clip G (posted by Shaun Bayles - Strat Blues Lick)

8) Clip H (posted by Shaun Bayles - Strat Funk Riff)

9) Clip I (posted by Walter Saborio - Clean Bridge)

10) Clip J (posted by Walter Saborio - Bridge Half)

Note: The clip was done by combining Ceriatone's DC30 and the DS1/PRO Analogman distortion

11) Clip K (posted by Walter Saborio - Neck Half)

Note: The clip was done by combining Ceriatone's DC30 and the DS1/PRO Analogman distortion

12) Clip L (posted by Tim Dutton)  - DC30 EF86

Settings: This one was recorded into a beta57 dry, guitar straight into clean channel.  Bass on 6, Treble on 4, Volume on 7 with master engaged on 1.  Master bypassed.  Half power engaged.  Delay and comp added after it was recorded. Guitar is a Tele with ToneRider pups.

13) Clip M (posted by Tim Dutton)

Settings: This one was recorded into a beta57 dry, guitar straight into clean channel.  Bass on 6, Treble on 4, Volume lucky to be at 1.  Master bypassed.  Half power engaged.  Delay and comp added after it was recorded. Guitar is a Tele with ToneRider pups.

14) Clip N (posted by Tim Dutton)

Settings: This one was recorded into a beta57 dry, guitar straight into clean channel with a TubeZone pedal.  Bass on 6, Treble on 4, Volume lucky to be at 1.  Master bypassed.  Half power engaged.  Delay and comp added after it was recorded. Guitar is a Tele with ToneRider pups.

15) Clip O (posted by Tim Dutton)  - DC30 EF86 with a tube screamer

16) Clip P (posted by littledarkedge on YouTube)

17) Clip Q (posted by Tim Dutton  on YouTube)

18) Clip R (posted by Tim Dutton on YouTube)

19) Clip S (posted by Tim Dutton on YouTube)

20) Clip T (posted by Tim Dutton on YouTube)

21) Clip U (posted by Tim Dutton on ceriatoneforum.com)

22) Clip V (posted by Shaun Bayles on YouTube)

23) Clip W (posted by Tim Dutton on YouTube)

24) Clip X (posted by Tim Dutton on YouTube)

25) Clip Y (posted by Tim Dutton on YouTube)

26) Clip Z (posted by Mike Baldwin on YouTube)

 

Stray Cat 30

1) Clip A (posted by TourneRiff on YouTube)

2) Clip B (posted by TourneRiff on YouTube)

 

TW Clones

Expression

1) Clip A (posted by Andy Baylor on YouTube)

2) Clip B (posted by Andy Baylor on YouTube)

3) Clip C  (posted by nsriley on YouTube)

4) Clip D (posted by Andy Baylor on YouTube)

5) Clip E (posted by Derek Bunting on YouTube)

6) Clip F "Cleans" (posted by Pete Donohue on YouTube)

7) Clip G (posted by Derek Bunting on YouTube)

8) Clip H (posted by Bryan Haag on YouTube)

9) Clip I (posted by Don Cipriani on YouTube)

 

LiverPull

1) Clip A (posted by Akgun, recorded by Erkan Yasemin, guitar: Ibanez, no effects, custom 2x12 cabinet with Weber speakers)

2) Clip B (posted by Akgun,  recorded by Erkan Yasemin, guitar: Ibanez, no effects, custom 2x12 cabinet with Weber speakers, post production EQ)

3) Clip C (posted by Kaapa)

4) Clip D (posted by Kaapa)

5) Clip E (posted by Kaapa)

6) Clip F (posted by Kaapa)

7) Clip G (posted by Kaapa)

8) Clip H (posted by Kaapa)

9) Clip I (posted by Kaapa)

 

Rock It!

1) Clip A (posted by  Sami Marttila on YouTube  Settings : Strato --> ROCK IT! --> THD HotPlate -12db --> Celestion G12H (Heritage))

2) Clip B (posted by Sami Marttila on YouTube - Les Paul riff noodling)

3) Clip C (posted by Sami Marttila on YouTube)

4) Clip D (posted by Sami Marttila on YouTube)

 

CeriaTone

Overtone Special 50W

1) Clip A (posted by Sami Marttila)

Settings: Gibson R8 (bridge pickup) --> overtone--> 2x12 open back cab, with G1265--> Sennheiser MD421 --> Mbox mini, (inside overdrive trimmer is about 10 o'clock) ,Overtone settings---> Vol = 5, Bright = off, Deep = off .... 1:20 = ON, Jazz/Rock = Rock, Treble = 5, Middle = 5, Bass= 5, Level= 5, Ratio= 5, Master= 2,5 , Presence= 3

2) Clip B (posted by Sami Marttila on YouTube)

3) Marinblues Channel over at Youtube (19 Overtone Soundclips and counting)

5) Clip C posted by Marin Debelic - Overtone Clean Channel

4) Clip D (posted by Greg Berglund) - a touch of reverb and delay added, this clip features the same guitar playing 8 bars of a clean sound, then the next 8 bars with the overdrive on

5) Clip E (posted by Greg Berglund) - Overtone Special FET channel using acoustic-electric guitar. With Sunrise pickups

6) Clip F  - Dr Ika's Moded Overtone Special (Red House Blues, starts with clean channel + gain boost) - http://www.guitarampcab.com/overtone.html

7) Clip G - Dr Ika's Moded Overtone Special (City Groove)  - http://www.guitarampcab.com/overtone.html

8) Clip H  - Dr Ika's Moded Overtone Special (Funkey)

9) Clip I - Dr Ika's Moded Overtone Special (Clean Neck Pick Up)

10) Clip J - Dr Ika's Moded Overtone Special (Clean Bridge Pick Up)

11) Clip K - Dr Ika's Moded Overtone Special (Clean Rhythms)

12) Clip L - Dr Ika's Moded Overtone Special (Drive Neck Pick Up)

13) Clip M - Dr Ika's Moded Overtone Special (Drive Bridge Pick Up)

14) Clip N - Dr Ika's Moded Overtone Special (Drive + Boost)

15) Clip O - Jean-François Marinnace (ES335 + Overtone Special 100 Lead Channel with Boost+ HP Celestion G12 65 Heritage. Recording: SM58 On EMU Card with Logic Audio)

16) Clip P - (posted by Rene Frederiksen)

17) Clip Q (posted by Erwin Verdurmen on YouTube)

18) Clip R (posted by Herbert on YouTube)

19) Clip S (posted by Mihai Tarta on YouTube) - Everything is Ceriatone OTS with Orange ppc 2x12 cab(v30) on dirty + Trex Alberta here and there, except solo is Marshall Superlead

20) Clip T (posted by Dr Ika on YouTube)

21) Clip U (posted by Herbert Puschel on YouTube)

22) Clip V  - Dr Ika's Moded Overtone Special

23) Clip W (posted by Einar Gronbekk on YouTube)

Settings: Here I'm playing over a Michael Brecker backing. It's the improve part in straphangin'. I'm using my Epiphone Joe Pass into the barber tone press compressor, and the into my Ceriatone OTS with a delay in the loop.

24) Clip X (posted by Andy Gardiner on YouTube)

25) Clip Y (posted by Thomas Ferolito)

26) Clip Z - Indianola (Robben Ford) Posted by Claes Nilsson on YouTube

27) Clip (1) - Cannonball Shuffle (Robben Ford) Posted by Claes Nilsson on YouTube

28) Clip (2) - St. James Infirmary (Trad) Posted by Claes Nilsson on YouTube

29) Clip (3) - Bad Boy (Jimmy Reed) Posted by Claes Nilsson on YouTube

30) Clip (4) - Little Wing Posted by Claes Nilsson on YouTube

31) Clip (5) - Ain't Nobody's Business (Freddie King) Posted by Claes Nilsson on YouTube

32) Clip (6) - If You Love Me Like You Say Posted by Claes Nilsson

Live Recording; no overdubs or cuts, no effects on OTS, only some plugins in Logic - URS strip and spring reverb!

33) Clip (7) - Had to Cry Today by Andy @ Mondoslug

34) Clip (8) - S751 by Andy @ Mondoslug

35) Clip (9) (posted by Stevie K) - Stock Overtone with '84 Squier JV Strat

36) Clip (10) posted by Tom Ferolito - clean channel

37) Clip (11)  posted by Dante on YouTube

38) Clip (12) posted by Chaiwat A.

39) Clip (13) posted by Damon Lee on YouTube

40) Clip (14) posted by Steven Dupuis

Settings: Using an '87 Paul Reed Smith Custom 24, with the OTS 50, I have an old Delta Lab Effectron II set on short delay running it through the Klein-ulator, speaker is WGS ET-65 1x12 (as a combo).

41) Clip (15) posted by Steven Dupuis - Sea of love

42) Clip (16) posted by beleza175 on YouTube

43) Clip (17) SoundCould Channel of Victor Castro

44) Clip (18) posted by Vinicius Rosa on YouTube

45) Clip (19) posted by mkkm1957 on YouTube

46) Clip (20) posted by beleza175 on YouTube

47) Clip (21) posted by Vinicius Rosa on YouTube

48) Clip (22) posted by Vinicius Rosa on YouTube

49) Clip (23) posted by Trent Joiner - used a Sennheiser md421II for the OTS and a Palmer pdi-03 speaker simulator for the 2555

50) Clip (24) posted by Greg Wiechard - This is strait guitar and a cord and the OTS, mix down added some verb and delay

51) Clip (25) posted by Randy Leach - video of his band called "Cambio de Corazon" playing a tune called  "Paradiso", using OTS 50 pack 4 with clator build in through an extension 1x 12" celestial Vintage 30 speaker, open backed cabinet and  Tom Anderson Hollow Cobra S guitar

52) Clip (26) play list on soundcloud uploaded by Stevie K

Overtone Special 100 W

1) Clip A (posted by Raggy on YouTube)

2) Clip B (posted by Dr Ika on YouTube)

3) Clip C (posted by Dr Ika on YouTube)

4) Clip D (posted by Dr Ika on YouTube)

 

Overtone S&M Special 50W

1) Clip A (posted by Vaibhav Mittal on YouTube)

2) Clip B (posted by Keita Kojima on YouTube)

Settings: Using EPBOOSTER made by XOTIC and TIMEFACTOR made by EVENTIDE on clean channel. Recorded on PC with camera & microphone with background track.

3) Clip C (posted by Tom Vernon on YouTube)

4) Clip D (posted by Tom Vernon on YouTube)

5) Clip E (posted by Tom Vernon on YouTube)

Overtone Special "183" 100 W

1) Clip A (posted by Sami Marttila on YouTube)

2) Clip B (posted by Sami Marttila on YouTube)

Overtone Special  FM 50 W

1) Playlist 1

Overtone Special  FM 100 W

1) Clip A (posted by Peter Stoel on soundcloud)

Overtone Special  FM 50W - Modern Eagle Mod

1) Clip A - posted by Peter Chorlton on YouTube - Peter Chorlton jamming with the ROBBEN FORD

Overtone Special  FM 100W - Modern Eagle Mod

1) Clip A (posted by Max Turchi on YouTube)

2) Clip B (posted by Max Turchi on YouTube)

Overtone HRM 50

1) Playlist by Jun posted on YouTube

2) Playlist by Danny Christoffel posted on Youtube

3) Clip A (posted by Alex Bolte on YouTube)

4) Clip B - Danny Christoffel

Settings: first knob on the left volume is at 7 pulled out, Deep is on, Mid boost off ( footswitch green led is on ) , Jazz switch activated, Treble 7, Mid 4, Bass 3, drive 5, drive level 1,5 this is the tweak knob to touch the sound you wann feel/play on the leads, Master 3, presence 7, OD at the back about 14.00 hours / 2a clock, guitar - Blade Texas standard pro 9

5) Clip C -  Danny Christoffel  

Settings: first knob on the left volume is at 7 pulled out, Deep is on, Mid boost off ( footswitch green led is on ) , Jazz switch activated, Treble 7, Mid 4, Bass 3, drive 5, drive level 1,5 this is the tweak knob to touch the sound you wann feel/play on the leads, Master 3, presence 7, OD at the back about 14.00 hours / 2a clock, guitar - Blade Texas standard pro 9, mid switch on but the delay unit is a bit lower output

6) Clip D (posted by Cedric on YouTube) - Clean with Strat

7) Clip E (posted by Cedric on YouTube) - Dirty with LP

8) Clip F - posted by Tony Girardot  

Settings: HRM50 with Resistor/Choke Switch Mode, Settings : Gibson SG into the HI input, Deep up, mid boost, rock setting, treble about 12 o'clock, mid the same, bass quarter to, Overdrive almost max, OD level on 6. Choke setting. Rear panel OD control at 12 o'clock. Into 4x12 vintage marshall cab

9) Clip G - posted by Predrag Rajkovic

Setup: with C-lator, Guitar = Taylor Solidbody Standard Mike = Shure SM58 Settings: Clean and Master Volume, Treble, Middle, Presence - 12 Bass - 9 O/D Channel: Drive - 4; Level 10 O/D pot at the back - 9 Rock/Jazz switch at Rock, Deep Boost on, Mid boost off Effects: Compressor in front, and delay/reverb (Glass Nexus multi effect) via C-lator C-lator setting: Drive 9 o clock, In 4 o clock, Out 12 o'clock

10) Clip H - posted by Patrick Zagury

11) Clip I - posted by John Viehweg

12) Clip J - posted by Eko Sulistiyo

13) Clip K - posted by Agustin M. Quiroga on YouTube

14) Clip L - posted by Frank Roos on Soundcloud

15) Clip M - posted by Frank Roos on Soundcloud

16) Clip N - posted by Sam Berce on YouTube

17) Clip O - posted by Danny Christoffel on YouTube

18) Clip P  (posted by John Viehweg) - Recorded using HRM 50 and JTM 45 in stereo configuration, Brian Hammer on guitar.

19)  Clip Q  (posted by John Viehweg) - Recorded using HRM 50 and JTM 45 in stereo configuration, Brian Hammer on guitar.

20) Clip R (posted byJimihendrix801 on YouTube)

21) Clip S (posted by Mark Bergman - using strat through HRM 50 on the right, Yeti 50 on the left)

 

Overtone HRM100

1) Clip A (posted by Justin Driver on YouTube)

2) Clip B (posted by Justin Driver on YouTube)

3) Clip C (posted by Norbert Galo)

4) Clip D ( posted by Norbert Galo)

5) Clip E (posted by Norbert Galo)

6) Clip F (posted by Norbert Galo on YouTube)

7) Clip G (recorded by Norbert Galo)

Setup :  Magneto Guitar , a Budda wha and TC delay for the solo

8) Clip H (posted by Fred Clark on YouTube)

9) Clip I (posted by RubenV on Youtube)

 

Overtone HRM Bluesmaster

1) Clip A (posted by GDClarkProject on YouTube)

2) Clip B (posted by Mirc Cinku on YouTube)

3) Clip C (posted by Mirc Cinku on YouTube)

4) Clip D (posted by Mirc Cinku on YouTube)

5) Clip E (posted by Sam Berce on YouTube)

6) Clip F (posted by Sam Berce on YouTube)

7) Clip G (posted by Greg Wiechard with added reverb and delay)

SSS 100W

1) Clip A (posted by ceriatoneAmp on YouTube)

2) Clip B (posted by ceriatoneAmp on YouTube)

3) Clip C (posted by ceriatonAmp on YouTube)

4) Clip D (posted by ceriatoneAmp on YouTube)

5) Clip E (posted by ceriatoneAmp on YouTube)

6) Clip F (posted by ceriatoneAmp on YouTube)

7) Clip G (posted by ceriatoneAmp on YouTube)

8) Clip H (posted by Dylan on YouTube)

9) Clip I (posted by Daniel Webb on SoundCloud)

10) Clip J (posted by Daniel Webb on SoundCloud)

11) Clip K (posted by Daniel Webb on YouTube)

12) Clip L (posted by eric le duff on YouTube)

13) Clip M (posted by eric le duff on YouTube)

14) Clip N (posted by Thibaut Louis - :

 - Clip i  - Django B

 - Clip ii - Solo Confrotably Numb

- Clip iii - The Prophet

amp setting for all clips : 

First negative feed back switch in up position second in middle position 

bright switch in middle , deep in up position , mid boost on , rock on

gain 7 , treble 5 , mid 8 , bass 6 , filter high in 5th position , filter bass in 6th position , presence 5 , Pab on ,

Pedals: 

Wampler Velvet Fuzz

In the fx loop across the c lator( everything at noon) i use  Empress Nebulus for chorus effect just a little bit then Boss DD20 tape echo at 550ms then a GLab reverb DR3

 4x12 Blackstar cab with Celestion V30 

Recording:

EV RE320 Mic in center position, in front of the speaker cone Presonus studio live 24 with studio one 2 

I absolutly didn't use any preset effect or eq, nothing, just for preamp mic and that's it 

In fact for this track it's simply the SSS + the Wampler Velvet Fuzz

 

 

OTS Lunchbox (OTS Mini 20)

1) Clip A (posted by spm72 on YouTube)

2) Clip B (posted by spm72 on YouTube -Tone Stack)

3) Clip C (posted by spm72on YouTube - OD Channel Test)

4) Clip D (posted by spm72 on YouTube - Gibson 335 --OTS20--EV12L--Sennheiser e609)

5) Clip E (posted by spm72 on YouTube - 355 Blues)

6) Clip B (posted by Eric Weiler on YouTube)

7) Clip C (posted by ceriatone on YouTube)

8) Clip D (posted by ceriatone on YouTube)

9) Clip E (posted by ceriatone on YouTube)

10) Clip F (posted by ceriatone on YouTube)

 

Hey?! What 504

1) Clip A - Demo Clip by Brook Chivell

Desc:

"Its from the outro solo of a song on my album (Always You) Its all raw sounds pre mixing and mastering so its exactly what you hear out of the cab (which is a 2x12 weber Fane clone cab). The only effect on it is a Zen Drive clone. All of the rhythm guitars are straight Hey What!! no pedals. There is a marshall JMP playing a part right at the end and also a bassman but the solo is Hey What - Brook"

2) More clips by Brook Chivell

Hey?! What 504 OL

1) Clip A - by Steve Yasin

Setup: amp mic'd with 57 shure condenser. using a backing track from 'guitarbackingtracks.com" the pedals are : analogman sunface fuzz, boss ce-5, mxr custom comp, hermida reverb, digitech digital delay

 

 

Hot Rodded Plexi Series

Chupacabra 50

1) Clip A - Chupacabra with Vintage30 speakers

2) Clip B - Chupacabra with G12T75 speakers

3) Clip C - Chupacabra a la GnR

4) Clip D - (posted by FourT6and2 on YouTube)

5) Clip E (posted by getbent21 on YouTube)

6) Clip F (posted by MRcagalloroin on YouTube)

7) Clip G (posted by CrunchMasterRob on YouTube)

8) Clip H (posted by splawner13 on YouTube)

9) Clip I (posted by Jonathan Bloomer on YouTube)

10) Clip J (posted by Jonathan Bloomer on YouTube)

11) Clip K (posted by Jonathan Bloomer on YouTube)

12) Clip L (posted by Jonathan Bloomer on YouTube)

13) Clip M (posted by Mike Samonie - EVH tone clip with Chupacabra 50)

14) Clip N (posted by Mike Samonie - EVH tone clip with Chupacabra 50)

For clip 13 & 14 - THIS SOUND WAS THRU A MARSHALL 4X12 WITH PRE ROLA GREEN BACKS , N A PEAVEY
5150 4X12 CABINET WITH SHEFFIELD SPEAKERS

STOCK 2012 WOLFGANG  USA STEALTH  WITH THE STOCK EVH PUPS

 

Chupacabra 100

1) Clip A - 2010 LA Amp Fest  by James Lugo

 

Yeti 50

1) Clip A (posted by Mark Bergman - using strat through HRM 50 on the right, Yeti 50 on the left)

2) Clip B (posted by Gordon Massey - using les paul)

3) Clip C (posted by Gordon Massey - using strat)

4) Clip D (posted by Gordon Massey - using les paul)

5) Clip E (posted by Gordon Massey - using les paul P90)

6) Clip F (posted by Steve Yasin) - cabinet is 2x12 with Celestion Vintage 30s

7) Clip G (posted by Art Harun)

 

Yeti 100

1) Clip A ( posted by BeerBatteredBear on Youtube)

2) Amp Shootout (posted by Jos Roach) - same mics/mix/no eq

List of amps:

Ceriatone Yeti 100
Jet City 20 watt with Dave Friedman mods
1973 Marshall JMP 50 watt with Dave Friedman brown eye/sat switch/C45 mods
Landry 100 watt  

King Kong 50

1) Clip 1 (posted by ceriatone on YouTube)

2) Clip 2 (posted by ceriatone on YouTube)

3) Clip 3 (posted by ceriatone  on  YouTube)

4) Clip 4 (posted by ceriatone  on  YouTube)

5) Clip 5 (posted by ceriatone  on  YouTube)

6) Clip 6 (posted by ceriatone  on  YouTube)

7) Clip 7 (posted by ceriatone  on  YouTube)

8) Clip 8 (posted by ceriatone  on  YouTube)

9) Clip 9 (posted by WackSlyankc on YouTube)

10) Clip 10 (posted by WackSlayankc on YouTube)

11) Clip 11 (posted by Mick Ionis on YouTube)

12) Clip 12 (posted by ceriatone on YouTube)

13) Clip 13 (posted by ceriatone on YouTube)

 

If you are a Ceriatone customer, and would like to have your clips posted here, please send Nik an email. We will not post trash (as in crap, but music of the trash genre is fine).

We also accept clips in the form of sound files (mp3s, etc)

Thanks!

Nik

 

 

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